Introduction Timeline Author(s) -Hopkins, Gerard Manley --Hopkins' Early Years --Hopkins - Oxford and Conversion --Gerard Manley Hopkins - Life as a Jesuit --Gerard Manley Hopkins' Poetic Career --Dublin and Hopkins' Last Years The context of writing -Religious / philosophical context --Religion --Roman Catholicism --Latitudinarianism -Literary context --Poetry --Romantic poetry --Art -Hopkins' beliefs about religion and poetry --Hopkins' Catholicism --Belief in the Bible --Duns Scotus --Jesuit spirituality --Poetry as music --Parallelism --Poetry as a way of seeing reality Poems for study -As Kingfishers Catch Fire --Synopsis of As Kingfishers Catch Fire --Commentary on As Kingfishers Catch Fire --Themes in As Kingfishers Catch Fire --Imagery and symbolism in As Kingfishers Catch Fire --Language and tone in As Kingfishers Catch Fire --Structure and versification in As Kingfishers Catch Fire -Binsey Poplars --Synopsis of Binsey Poplars --Commentary on Binsey Poplars --Themes in Binsey Poplars --Imagery and symbolism in Binsey Poplars --Structure and versification in Binsey Poplars -The Blessed Virgin Mary Compared to the Air We Breathe --Synopsis of The Blessed Virgin Mary --Commentary on The Blessed Virgin Mary --Themes / Structure and versification in The Blessed Virgin Mary --Imagery and symbolism in The Blessed Virgin Mary -Carrion Comfort --Synopsis of Carrion Comfort --Commentary on Carrion Comfort --Themes in Carrion Comfort --Imagery and symbolism in Carrion Comfort --Language and tone in Carrion Comfort --Structure and versification in Carrion Comfort -Duns Scotus' Oxford --Synopsis of Duns Scotus' Oxford --Commentary on Duns Scotus' Oxford --Themes in Duns Scotus' Oxford --Imagery and symbolism in Duns Scotus' Oxford --Language and tone in Duns Scotus' Oxford --Structure and versification in Duns Scotus' Oxford -God's Grandeur --Synopsis of God's Grandeur --Commentary on God's Grandeur --Themes in God's Grandeur --Imagery and symbolism in God's Grandeur --Language and tone in God's Grandeur --Structure and versification in God's Grandeur -Harry Ploughman --Synopsis of Harry Ploughman --Commentary on Harry Ploughman --Themes in Harry Ploughman --Imagery and symbolism in Harry Ploughman --Language and tone in Harry Ploughman --Structure and versification in Harry Ploughman -Henry Purcell --Synopsis of Henry Purcell --Commentary on Henry Purcell --Themes in Henry Purcell --Imagery and symbolism in Henry Purcell --Language and tone in Henry Purcell --Structure and versification in Henry Purcell -Hurrahing in Harvest --Synopsis of Hurrahing in Harvest --Commentary on Hurrahing in Harvest --Themes in Hurrahing in Harvest --Imagery and symbolism --Language and tone in Hurrahing in Harvest --Structure and versification in Hurrahing in Harvest -Inversnaid --Synopsis of Inversnaid --Commentary on Inversnaid --Themes in Inversnaid --Imagery and symbolism in Inversnaid --Language and tone in Inversnaid --Structure and versification in Inversnaid -I Wake and Feel the Fell of Dark --Synopsis of I Wake and Feel the Fell of Dark --Commentary on I Wake and Feel the Fell of Dark --Themes in I Wake and Feel the Fell of Dark --Imagery and symbolism in I Wake and Feel the Fell of Dark --Language and tone in I Wake and Feel the Fell of Dark --Structure and versification in I Wake and Feel the Fell of Dark -The Leaden Echo and the Golden Echo --Synopsis of The Leaden Echo and the Golden Echo --Commentary on The Leaden Echo and the Golden Echo --Themes in The Leaden Echo and the Golden Echo --Imagery and symbolism in The Leaden Echo and the Golden Echo --Language and tone in The Leaden Echo and the Golden Echo --Structure and versification in The Leaden Echo and the Golden Echo -The May Magnificat --Synopsis of The May Magnificat --Commentary on The May Magnificat --Imagery and symbolism in The May Magnificat --Language and tone in The May Magnificat --Structure and versification in The May Magnificat -My Own Heart, Let Me Have More Pity On --Synopsis of My Own Heart --Commentary on My Own Heart --Themes in My Own Heart --Imagery and symbolism in My Own Heart --Language and tone in My Own Heart --Structure and versification in My Own Heart -No Worst, There is None --Synopsis of No Worst --Commentary on No Worst --Themes in No Worst --Imagery and symbolism in No Worst --Language and tone in No Worst --Structure and versification in No Worst -Patience, Hard Thing! --Synopsis of Patience --Commentary on Patience --Themes in Patience --Imagery and symbolism in Patience --Language and tone in Patience --Structure and versification in Patience -Pied Beauty --Synopsis of Pied Beauty --Commentary on Pied Beauty --Themes in Pied Beauty --Imagery and symbolism in Pied Beauty --Language and tone in Pied Beauty --Structure and versification in Pied Beauty -The Sea and the Skylark --Synopsis of The Sea and the Skylark --Commentary on The Sea and the Skylark --Themes in The Sea and the Skylark --Imagery and symbolism in The Sea and the Skylark -Spelt from Sibyl's Leaves --Synopsis of Spelt from Sibyl's Leaves --Commentary on Spelt from Sibyl's Leaves --Themes in Spelt from Sibyl's Leaves --Imagery and symbolism in Spelt from Sibyl's Leaves --Language and tone in Spelt from Sibyl's Leaves --Structure and versification in Spelt from Sibyl's Leaves -Spring --Synopsis of Spring --Themes in Spring --Imagery and symbolism in Spring -Spring and Fall --Synopsis of Spring and Fall --Commentary on Spring and Fall --Themes in Spring and Fall --Language and tone in Spring and Fall -St. Alphonsus Rodriguez --Synopsis of St. Alphonsus Rodriquez --Commentary on St. Alphonsus Rodriguez --Themes / Imagery and symbolism in St. Alphonsus Rodriguez --Structure and versification in St. Alphonsus Rodriguez -The Starlight Night --Synopsis of The Starlight Night --Commentary on The Starlight Night --Themes in The Starlight Night --Imagery and symbolism in The Starlight Night --Language and tone in The Starlight Night --Structure and versification in The Starlight Night -That Nature is a Heraclitean Fire and of the Comfort of the Resurrection --Synopsis of That Nature is a Heraclitean Fire --Commentary on That Nature is a Heraclitean Fire --Themes in That Nature is a Heraclitean Fire --Imagery and symbolism in That Nature is a Heraclitean Fire --Language and tone in That Nature is a Heraclitean Fire --Structure and versification in That Nature is a Heraclitean Fire -Thou Art Indeed Just, Lord --Synopsis of Thou Art Indeed Just --Commentary on Thou Art Indeed Just --Themes in Thou Art Indeed Just --Imagery and symbolism in Thou Art Indeed Just --Language and tone in Thou Art Indeed Just --Structure and versification in Thou Art Indeed Just -Tom's Garland --Synopsis of Tom's Garland --Commentary on Tom's Garland --Imagery and symbolism in Tom's Garland --Structure and versification in Tom's Garland -To Seem the Stranger --Synopsis of To Seem the Stranger --Commentary on To Seem the Stranger --Themes in To Seem the Stranger --Imagery and symbolism in To Seem the Stranger --Language and tone in To Seem the Stranger --Structure and versification in To Seem the Stranger -To What Serves Mortal Beauty --Synopsis of To What Serves Mortal Beauty --Commentary on To What Serves Mortal Beauty --Themes in To What Serves Mortal Beauty --Imagery and symbolism in To What Serves Mortal Beauty --Language and tone in To What Serves Mortal Beauty --Structure and versification in To What Serves Mortal Beauty -The Windhover --Synopsis of The Windhover --COmmentary on The Windhover --Themes in The Windhover --Imagery and symbolism in The Windhover --Language and tone in The Windhover --Structure and versification in The Windhover -The Wreck of the Deutschland --Synopsis of The Wreck of the Deutschland --Commentary on The Wreck of the Deutschland ---Stanzas 1-5: God's dealings with Hopkins ---Stanzas 6-10: A foundation - the purpose of Christ's coming ---Stanzas 11-16: Description of the wreck ---Stanzas 17-23: Description of the nuns ---Stanzas 24-30: Understanding the nun's cry ---Stanzas 31-35: Resolution and conclusion --Themes in The Wreck of the Deutschland ---Theodicy: understanding evil in a world God rules in The Wreck of the Deutschland ---God's sovereignty in The Wreck of the Deutschland ---Suffering and faith in The Wreck of the Deutschland ---Nature as God's book in The Wreck of the Deutschland --Imagery and symbolism in The Wreck of the Deutschland ---Nature images in The Wreck of the Deutschland ---Biblical images in The Wreck of the Deutschland ---Figures of speech in The Wreck of the Deutschland --Language and tone in The Wreck of the Deutschland ---Diction in The Wreck of the Deutschland ---Puns and plays on words in The Wreck of the Deutschland ---Compounds and neologisms in The Wreck of the Deutschland ---Tone in The Wreck of the Deutschland --Structure and versification in The Wreck of the Deutschland ---Stanza structure in The Wreck of the Deutschland ---Alliterative patterns in The Wreck of the Deutschland ---Rhymes in The Wreck of the Deutschland ---Metre in The Wreck of the Deutschland Themes and significant ideas -Beauty and its purpose -The beauty, variety and uniqueness of nature -Christ's beauty -Conservation and renewal of nature -God's sovereignty -The grace of ordinary life -Mary as a channel of grace -Nature as God's book -Night, the dark night of the soul -Serving God -Suffering and faith -The temptation to despair -The ugliness of modern life -Understanding evil in a world God has made Critical analysis -1. Close Reading -2. Contextual Reading Approaching exams and essays -Focus on the question -Style -Organising your time in exams -How to plan an essay Appendices -Appendix 1: Hopkins' versification and theory of sprung rhythm --Traditional metres in English verse --Rhythm --Sprung Rhythm --Hopkins' versification: difficulties and conclusions -Appendix 2: Inscape and instress Resources and further reading -Booklist -Website resources -Other resources
The context of writing » Hopkins' beliefs about religion and poetry Is there a link?
To study Hopkins’ poetry in detail, we need to know a little more about his beliefs, especially
why he became a Catholic
what it meant to him
why he wrote his poetry in the form he did.
If we can understand some of these things now, the poetry itself may not seem quite so difficult as it might if we were to just plunge straight into it.
1. Sometimes used to denote all Christians
2. Used specifically of the Roman Catholic church.
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