Poems for study » As Kingfishers Catch Fire » Imagery and symbolism in As Kingfishers Catch Fire
Personification
The main figure of language in the octave is personification. Each object, whether animate or inanimate, is given a voice:
- ‘finds tongue to fling out broad its name’
- ‘myself it speaks and spells’.
The ‘indoors’ metaphor is difficult. It seems to mean: each thing proclaims the essence of its inner being. There is a sense of being ‘at home’ in itself, as we talk of people being ‘at home’ in their skin.
Jesus portrayed as living within human beings
There is a biblical teaching that Christian believers are the body of Christ:
‘for we were all baptised by one Spirit into one body.....Now you are the body of Christ, and each one of you is a part of it.’ ([61 Corinthians 12:13,276] TNIV).
The ‘body of Christ’ metaphor is thus a Christian commonplace, hovering between a literal and a figurative understanding. ‘Grace’ can be a physical attribute as well as a spiritual one. There is a tradition of Catholic mysticism which is quite sensuous, and it is in this way that Hopkins writes.
- Can you see that many expressions of philosophy or religion are actually metaphorical? We cannot express abstract or supernatural concepts literally without becoming too abstract for words (literally).
- Can you think of some examples of how beliefs are made concrete by metaphors?
- What human features are applied to the biblical God?
As kingfishers catch fire, dragonflies dráw fláme;
As tumbled over rim in roundy wells
Stones ring; like each tucked string tells, each hung bell's
Bow swung finds tongue to fling out broad its name;
Each mortal thing does one thing and the same:
Deals out that being indoors each one dwells;
Selves--goes itself; myself it speaks and spells,
Crying Whát I do is me: for that I came.
Í say móre: the just man justices;
Kéeps grace: thát keeps all his goings graces;
Acts in God's eye what in God's eye he is--
Chríst--for Christ plays in ten thousand places,
Lovely in limbs, and lovely in eyes not his
To the Father through the features of men's faces.
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