Sign In
Forgot Password? Register

crossref-it.info - AS/A2 English Literature Study Guides - texts in context.

 

Poems for study » Binsey Poplars » Structure and versification in Binsey Poplars

The poem is in an unusual form for Hopkins, the lyric. It is songlike, with sprung rhythm and fairly free verse. Each stanza has eight lines, but line lengths vary from dimeters to hexameters. Some lines are regular, as l.1, which is an iambic pentameter; some are very irregular, as l.8, which tries to recapture the winding motion of the river. It could be scanned as either five or six stresses, depending on whether the compound epithets are given two half-stresses or two full stresses. Generally the metre is rising, but l.2 is more falling or trochaic. There is a scattering of spondees to give extra emphasis, as in l.3.

Investigating Binsey Poplars
  • Study the repetitions in the poem.
    • Why are certain words repeated a number of times?
  • Also look at the internal rhymes and the examples of assonance, which are types of repetition.
    • What effects does Hopkins gain through them?
  • Can you understand the sense of 1.4?
  • Did you know a scene which has been recently destroyed?
    • What were your feelings on seeing the destruction?
    • Do Hopkins’ thoughts echo yours at all?
The words of a song
A term given by Gerard Manley Hopkins to his versification. It does have a regular basic metre, but contains additional feet or outriders and other planned irregularities.
Verse which has no regular scansion; its structure being formed by the thought and imagery alone.
A verse consisting of two measures, that is containing either two or four feet.
A line of poetry containing six feet or stresses (beats).
A line containing five metrical feet each consisting of one stressed and one unstressed syllable.
In all languages, some syllables are pronounced with more of an emphasis than others. In poetry of many languages, this becomes a significant means of patterning. The pattern of stressed and unstressed syllables within a line of verse is called its
A combination of basic elements. A compound word is made up of two or more separate words.
Use of a metric foot in a line of verse, consisting of a stressed syllable followed by an unstressed. It is thus a falling metre.
A unit of metre, being a foot of just one stressed syllable.
Rhyme which occurs within a single line of verse, rather than between lines.
A device similar to alliteration but where the vowel sound in a word is repeated and thus emphasised ' e.g. 'burnt and purged'.

My aspens dear, whose airy cages quelled,
Quelled or quenched in leaves the leaping sun,
All felled, felled, are all felled;
Of a fresh and following folded rank
Not spared, not one
That dandled a sandalled
Shadow that swam or sank
On meadow and river and wind-wandering weed-winding
bank.

O if we but knew what we do
When we delve or hew--
Hack and rack the growing green!
Since country is so tender
To touch, her being só slender,
That, like this sleek and seeing ball
But a prick will make no eye at all,
Where we, even where we mean
To mend her we end her,
When we hew or delve:
After-comers cannot guess the beauty been.
Ten or twelve, only ten or twelve
Strokes of havoc únselve
The sweet especial scene,
Rural scene, a rural scene,
Sweet especial rural scene.